Saturday, July 2, 2011

Rigoletto to Undergo Major Renovation

SF Bio cinema chain's flagship theater, Rigoletto, set for a Christmas rebirth.

When the Rigoletto movie theater opened in 1939 on Kungsgatan in downtown Stockholm, it had all the hallmarks of a movie palace of the golden age of cinema: imposing marquee, elegant foyer complete with curving staircase and elaborate art deco decoration in the theater itself. More than 70 years later, SF Bio is returning Stockholm's grandest movie theater to its former glory, but with modern touches including the most up-to-date technology available.

"We're aiming to restore the entrance so that the exterior will be even more classic than it is today," says Thomas Runfors, information manager at SF Bio. "The foyer, which is a bit messy and unattractive today, will be made more accessible and feel freshened up. The main theater will keep its classic design but with new, more comfortable seats."

The balcony in the main theater will also undergo a major transformation, turning into a VIP section with the small foyer outside becoming a lounge with a bar and snacks while the balcony itself will feature easy chairs rather than the traditional movie seats.

In addition, a new restaurant connected to the theater will be opening, featuring bistro-type food and aimed at giving the movie-going public a place to grab a bite to eat before or after an evening at the movies. The restaurant will be run independently by an outside restaurateur.

For the renovation, which will start in August 2011 with a reopening planned for Christmas 2011, SF Bio has been working with design company Stylt Trampoli. "We're striving to both reflect and reinterpret Rigoletto's position as Sweden's No. 1 grand premiere movie theater," says Anders L�wander, architect at Stylt Trampoli. "With the help of the interior design, we want to offer moviegoers a wholistic experience as magical as a gala premiere, no matter what's being shown on the big screen."

 

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Great dynasties of the world: The Benns

Ian Sansom on an unbroken line of four generations of MPs

There have always been family political dynasties who have ruled through force of arms. Examples abound, even today. And there have sometimes been family political dynasties who have ruled through force of argument, which is obviously preferable. In England, one such notorious family of argufiers are the Benns.

There are, of course, many great British political dynasties. Viscount Hailsham begat Quintin Hogg, who begat Douglas Hogg. Joseph Chamberlain had two sons who became MPs ? one of them, indeed, PM. There have been many Cecils ? the Marquess of Salisbury, his nephew Arthur Balfour, and Viscount Cranborne ? and two famous Pitts. But the Benns are unique: an unbroken line of four generations of MPs.

Let us take Tony Benn as the mid-point, the centre ? not a place we'd often find him. Benn's maternal grandfather, Daniel Holmes, was the Liberal MP for Govan. His paternal grandfather, John Benn, was an MP for Tower Hamlets and then Devonport. Sir John's son, William Wedgwood Benn was elected to his father's old seat of Tower Hamlets in 1906 and served under Asquith as a lord of the treasury, before eventually leaving the Liberals to join the Labour party in 1924. He became secretary of state for India under Ramsay MacDonald and was raised to the peerage as Viscount Stansgate in 1942.

William Wedgwood's eldest son, Michael, was killed when his aircraft crashed in the war in 1944 and so it was Tony Benn, the second son, who was set to inherit his father's title and sit in the House of Lords. But when William Wedgwood died in 1960, Tony was already sitting in the House of Commons as Labour MP for Bristol South East and had no desire to become a peer. He fought for three years to change the law in order to be able to relinquish the hereditary title and remain in the Commons. He won.

Tony Benn and his wife, Caroline, had four children. Among them, their daughter Melissa is a journalist and novelist, and Hilary has been MP for Leeds Central since 1999. When elected, Hilary famously remarked that he was a Benn, not a Bennite.

In last year's general election, Tony Benn's granddaughter, Emily, stood as the Labour parliamentary candidate in East Worthing and Shoreham, in West Sussex. Emily Benn is the daughter of Benn's eldest son, Stephen, and his wife, Nita, who was an adviser to Tony Blair. "When I used to visit my mum at No 10," Emily recalled in an interview during her election campaign, "it was just like the West Wing. There was always some kind of drama or issue, and I loved it. I would love to be a part of it." She did not become a part of it. East Worthing and Shoreham's sitting Tory MP, Tim Loughton, increased his majority.

After 51 years as an MP, Tony Benn retired in 2001 in order, famously, "to devote more time to politics". He also continues to publish his diaries, to pop up occasionally on TV and at Glastonbury, and to tour the country with his one-man show, An Evening with Tony Benn.

In a letter addressed to his family, found among his papers after his death, Tony Benn's older brother Michael wrote: "It was my dearest wish to see us all united after the war. I wanted then to settle down to do what I could to prevent the suffering of another war from descending on the lives of our children. How I longed to see a world when people could be as free and happy as we were in our family."

Tony Benn conscientiously reads all correspondence and emails. Hilary Benn emerged unsullied from the MPs' expenses scandal in 2009. The family's traditional middle name of Wedgwood is a reminder that John Benn's wife was a relative of Josiah Wedgwood, founder of the pottery dynasty.


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Trend Forecast 2011

...and this season we shalll be mainly adorning ourselves and our homes with, triangles! Modernist, masculine, feminine, glamorous, illuminous and 50's retro triangles. In today's post I will be looking at the three-sided from all angles!



I bought one of  these pink Alchemia chairs from Calligaris at the Ideal Home exhibition in London several years ago. Funnily they arrived from Rome 6 weeks later, when I was actually in Rome and I saw them in the showroom! The colour of these is incredible, but I also love the orange and red ones too!



...whilst lady Gaga isn't everyones' cup of tea (personally I think her image is great fun!), you have to admit that this headpiece from the utterly brillant fashion prop designer Fred Butler is a work of art. Commissioned and made for the unforgettable "Telephone" video with Beyonce earlier this year



...I really enjoy AnOther Magazine, and they have this great feature called "Another Loves", and this watch from Urban Outfitters was "loved" by Fred Butler; go take a look at her blog and you can see why - it is very much in her style!



...Modernist and masculine - Tamasyn Gambell notebooks. A real Bauhaus feel to this design!







...sadly, on a final note, Britain lost two of its' finest designers this year- Lucienne and Robin Day. I've had a lifelong love of Lucienne's fabrics. The top fabric is the one which started it all off, "Calyx", designed in 1951 for the Festival of Britain, and eventually produced by Heals (the rest is history)! You can see the design at the V&A Museum in London. Here it is again used to furnish some incredible chairs!

For other great trend forecasts, check out Design Refuge!

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Get the Look: Beach Cottage Style (19 photos)

If you're looking to outfit a beach house, or just make your house have that casual beach cottage look for summer, look no further. Here's a roundup of some of the best examples of sea-inspired products, cottage rooms, and an explanation of what makes them so darn beachy.

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Life after Harry Potter

James and Oliver Phelps play the Weasley twins, Fred and George, in the Harry Potter films. Emine Saner meets them

'James, light blue top, on right; Oliver, dark blue top on left," is what I scribble at the top of my notebook under the table. This comes just after James ? or is it Oliver? ? has been talking about how annoying it is to be treated as one tall, floppy-haired, 25-year-old unit, rather than as individuals. As Fred and George Weasley, respectively, Ron Weasley's mischievous older twin brothers in the Harry Potter films, James and Oliver Phelps must be one of the most famous sets of twins in the world.

They were 14 when they auditioned for the role in an open casting session a friend had heard about, having no acting experience other than a bit of drama at school in Sutton Coldfield, where they grew up and where they now share a flat. "We're not from that environment, nobody we knew was in the entertainment industry," says James. (Their father set up a chauffeur business; their mother worked in local government.) They seem to have fallen into acting by accident, rather than it being a burning passion. "I felt like [I wasn't a proper actor] for about three or four years, and then when I was about 17, I really started to take it seriously," says James, who still occasionally takes acting lessons. "I'm very aware that I'm lucky to call it my job."

Though quick to express their gratitude for their parts in the films ? "It has been the most incredible experience and has changed our lives," says Oliver ? they admit that going on set as "the twins" felt like a step backwards. They had spent the last few years at secondary school carefully carving out their own identities, separated for the first time and making their own friends; now they were known as the twins again, this time on a global scale. For one thing, they had to look the same, something they had always fought against.

"I did cringe a bit," says Oliver. "In certain bits, they are dressed differently, and that was very much us saying they wouldn't always dress the same. But the argument was made to us that Fred and George dressed the same to trick people, so it made sense." James and Oliver admit to occasionally pretending to be each other when they were much younger, but not as much as another set of twins at their school, on whom they based the Weasleys. "We were relatively good," says Oliver, laughing, "but these boys would swap lessons ? one was good at cricket, the other was good at science. We never did that."

Even when it came to casting them, there seems to have been a temptation to see them as one unit. At the first read-through of the script on set, James and Oliver still didn't know which Weasley they would be. "The casting director said, 'You're kidding, right?'," says Oliver. "She went over to speak to Chris Columbus [the director] and JK Rowling. I like to think there was a lengthy discussion about who was who, but she came back and said: 'James, you're Fred; Oliver you're George.'"

"I suppose I liked Fred because he appeared first," says James.

"It's that old rivalry thing," says Oliver, with a smile. "Who has the most lines, who can be on screen the longest. There was that competitiveness between us. We will compete over anything and everything."

If you don't know what happens to the Weasley twins, look away now ? but most fans will already know that one of them dies in Rowling's final book in the series, Harry Potter and the Deathly Hallows. "It was horrible," says the one whose character doesn't die, of filming the scenes in the forthcoming second instalment of the final film. "I was trying to get myself into this emotional state. You had to put yourself in character, and seeing your brother lying there, pale, was quite hard. I think we did about four takes." It's impossible to say, of course, but does he think it would have been the same if he hadn't had to deal with the pretend death of his real brother? "Maybe, because you still have to put yourself in that emotional state, but it probably added to it, the fact he is my brother." Both are dreading what their mother will make of it.

Were James and Oliver Phelps very conscious that they were twins as children? Not especially, they say. Their parents would dress them in different clothes, mainly to tell them apart, but also because the family were involved in the Twins & Multiple Births Association, which has always stressed encouraging children's individuality. "If anyone referred to us as 'the twins', we would ignore them," says James. "I know people don't mean to be insulting, and I know that some twins enjoy being seen as twins, but we're at the other end of the scale."

Oliver, older by 13 minutes, regards himself as the big brother. "I'm a lot more assertive, probably. James is more chilled out." They are keen to stress their differences: they support different football teams; Oliver is tidier; James seems a little quieter. It's "absolutely rubbish" that they can tell what the other is thinking, says Oliver, but for their 21st birthday they each bought the other the same birthday card. If they ever buy the same clothes by accident, the one who bought it last has to take it back to the shop.

The trick now for the Phelps twins is to stop being the Phelps twins and, after 10 years of the Harry Potter safety net, start to forge their own careers. Their highest-profile role outside of the Potter films has been as Weasley-esque troublesome twins in an episode of the television series Kingdom. Is there a danger that they will be typecast as a twosome? They admit it is something they have to battle against. They still make appearances at promotional and charity events as twins, and seem to spend much more time together than most 25-year-old siblings. "We want to continue acting but not necessarily together," says James. "We've had a few meetings with casting agents in the States but there is a perception that we come as two. I said I want to do individual stuff and one guy just said 'Oh no, I don't see that happening'. I shut off as soon as he said that, I wasn't interested."

Their agent knows not to put them up for the same part. "We used to go to the same auditions but it didn't make sense," says Oliver. His brother laughs: "The casting director would be confused and say 'I've already seen you.' We learned pretty early on not to go to the same thing."

What if one finds huge success while the other's career doesn't quite work out? Does that worry them? "Not particularly," says Oliver. "We've always said we're both actors, so obviously we're competing against each other in one way but we're also brothers so we want the other to do just as well."

"Family means more than the job," says James. "If we were both successful, that would be fantastic, but we know that throughout our careers, we would probably overtake each other every so often, so I think you just have to ride the highs and the lows. If he was ahead of me, or I was ahead of him, it would push us even more. He would probably take [being considered less successful] easier than I would, although I don't mean that I would begrudge him. Although I might find it hard," he says with a smile, "if people ask me if I'm Oliver Phelps."

Harry Potter and the Deathly Hallows: Part 2 is released on 15 July


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Friday, July 1, 2011

2011 Graduate Preview Day Winners

The British Fashion Council (BFC) today announces the winners of the BFC Colleges Council Graduate Preview Day Awards.

The ‘Fashion Monitor Colleges Portfolio Award’ in association with the BFC goes to Univeristy of Salford; The ‘WGSN Digital Presentation Award’ in association with the BFC goes to London College of Fashion; The ‘BFC Fashion Illustration Award’ in association with Fashion Monitor goes to  De Montfort University.

The 27 exhibiting colleges submitted portfolios to be judged by a panel of industry experts. The judging panel, headed by Chair of the Colleges Council Anne Tyrrell, also included Hannah White, Editor of Fashion Monitor; Lauretta Roberts, Digital Development Director of WGSN; Nick Chalkley, General Merchandise Manager of Harrods and Caroline Burstein, Creative Director of Browns.

“It has been incredibly exciting to see representatives from such influential and important companies such as Harrods, Browns, Vogue Italia, Nicole Farhi, Selfridges, Vogue UK, Warehouse, Marks and Spencer, Max Mara, Maria Luisa, Aquascutum, Love Magazine, Another Magazine and Debenhams attending the preview day. The work on display is second to none and really showcases the amazing talent the UK colleges have to offer” said Anne Tyrrell, Chair of the Colleges Council.

Caroline Rush, Chief Executive of the British Fashion Council, said “Graduate Preview Day is such an important day for both the colleges and the industry. It gives the design teams of our British retailers and designers a chance to see the talent which is entering the industry later in the year”.

University of Salford, winner of the Fashion Monitor Colleges Portfolio Award, will win two one year subscriptions for their best students to Fashion Monitor, the industry’s leading provider of contacts, news and events. The judging panel felt their entry demonstrated the best overall presentation of the students’ work. Hannah White, Fashion Monitor Editor, commented,  “This is the first year Fashion Monitor is supporting Graduate Preview Day and this award; it is really exciting and encouraging to see students being given such great exposure to the industry. Salford’s portfolio really stood out to the panel, it was detailed, professional and creative”.

The WGSN Digital Presentation Award recognises the increasing relevance of integrating fashion and technology. Won by London College of Fashion, the judging panel agreed they demonstrated the best use of a digital medium to reach new audiences and present their collections.

The winner of the BFC Fashion Illustration Award in association with Fashion Monitor, De Montfort Univeristy, will also win two one year subscriptions which will allow the graduating students access to key industry contacts, something which is invaluable for breaking into the industry.

Those highly commended for the Fashion Monitor College Portfolio Award were Edinburgh College of Art and Ravensbourne College of Design and Communication.

The BFC Colleges Council Graduate Preview Day is organised by the British Fashion Council to foster relationships between graduates and industry. The annual event brings together industry insiders from media, recruitment, retail, design, manufacturing, sales, marketing and PR to preview the work of graduating students who will be entering the job market later in the year. This year the Graduate Preview Day was held at The Mayfair Hotel.

For further information about the Colleges Council please visit www.britishfashioncouncil.com/collegescouncil

Image: The Judging Panel - Lauretta Roberts (WGSN), Nick Chalkley (Harrods), Anne Tyrrell, Caroline Burstein (Browns) & Hannah White (Fashion Monitor)

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Outdoors: Classic Picnic Basket from Crate & Barrel

Crate & Barrel has come out with a taller version of the classic Woven Picnic Basket, designed to accommodate an upright wine bottle. Crafted by a family-owned New England company founded in 1854, the basket is Appalachian white ash and the hinged lid and folding handles are laminated birchwood; $49.95 at Crate & Barrel.

Woven Picnic Basket

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For Sale: The Yards at Fort York

By Lisa Van de Ven Price range: $199,900 to $799,900 Location: Bruyeres Mews and Bathurst Street, Toronto The Yards at Fort York is the second building in Onni?s Fort York, a four-phase master development next to historic Fort York. The contemporary glass-and-steel building will have 412 units when completed, with 5,000 square feet of ground-level ...

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Out & about: Arty appliances

What I know about art can be written on the back of a postage stamp but I know what I like. And what I like is this: This is a piece by Turner prize winner Mark Leckey, using a familiar household object, the fridge freezer – in this case, a Samsung model. It was just [...]

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Sudoku 1914 hard

Fill the grid so that every row, every column and every 3x3 box contains the numbers 1 to 9.

For a helping hand call our solutions line on 09068 338 228. Calls cost 60p per minute at all times. Service supplied by ATS.

Buy the next issue of the Guardian or subscribe to our Digital Edition to see the completed puzzle.


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White goods start seeing red

In the same way that your ‘hoover’ is just as likely to be another brand, white goods are just as frequently anything but white and are a great way of adding colour to your kitchen. Coloured fridges have been around for a while but now laundry is getting a makeover, thanks to Beko and its [...]

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Stable Acre

If you've seen the Inside Out 2011 Annual Renovating & Decorating Guide (and you must see the Inside Out 2011 Annual Renovating & Decorating Guide) you'll recognise the converted stables home of gallerist Stuart Shave. I found it again at inspace Locations and the architect David Kohn's site. Open-plan orientated around a simple modernist fireplace, light spills in through walls of glass. It's warm and simple, mid-century and modern. Rough brick is smoothed with white paint, rustic and sparse yet sophisticated and softened. And for an art dealer strangely devoid of art. Moroccan pom-pom blanket anyone?

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Thursday, June 30, 2011

White Clouds Coffee Table

It?s impossible to suppress a smile thinking about the Clouds Coffee Table set by Mark Hark. Three individual planes of varying height can be arranged and layered into an ever-evolving [...]

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Search Party

A new site for sifting through apartment listings enters a crowded field.

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Graphic portrait of Charles II's mistress comes to light

17th-century actress Nell Gywn depicted in composition laden with lewd symbolism

She is one of history's most famous mistresses, but few of the many paintings labelled as Charles II's lover Nell Gwyn are actually of her. Now a saucy portrait with lewd and lurid symbolism that would have been instantly recognisable to 17th-century eyes has come to light for the first time.

The painting has never before been seen in public. It depicts Gwyn bare-breasted and stuffing sausages, a composition laden with titillating symbolism. She is dressed in white, a satirical pun on virginal purity, while a black manservant standing by her may allude to the black-haired king known as "the black man".

Measuring only 9 by 7 inches, it depicts Gwyn, who was a leading comic actress and coquettish cockney and inspired the playwright Dryden to give her saucy parts and the diarist Samuel Pepys to describe her as "pretty witty Nell".

She captivated the king, becoming his mistress for some 16 years until his death in 1685. Indeed, on his deathbed, he is said to have uttered: "Let not poor Nelly starve". She had two sons by him, the elder of whom became the Duke of St Albans.

A nephew of the 12th Duke has decided to sell the portrait to Philip Mould, a leading specialist in British portraiture, to raise money for the family's next generation.

Mould told The Guardian yesterday: "It's come from her descendents. So it's the Holy Grail Nell Gwyn. She's not as commonly portrayed as a lot of other mistresses, for example the Duchess of Portsmouth ? Every year we're offered portraits of Nell Gwyn that actually aren't her. Her identification gravitates towards any sexy-looking image from the 17th century."

Mould, currently presenting a BBC series Fake or Fortune?, added: "It's the most graphic contemporary portrayal of her sexual qualifications that we have found. What makes it so distinctive is that this is not a smutty doodle, but exquisitely-crafted. One can only assume that it may have had an intimate purpose in the court circle."

The portrait is by an anonymous 17th-century hand, in a genre of Anglo-Dutch character portrayals of the time. Mould claims that Gwyn's gently tilting head is linked to a lost miniature by Samuel Cooper, Charles II's miniature painter.

Although the subject matter of such a private commission was too subversive to be recorded in official inventories, the composition is recorded in a contemporary engraving. The National Portrait Gallery is believed to be in discussion over the possibility of acquiring the picture.

Mould will this week show the Gwyn portrait at Masterpiece, an art fair at the Royal Chelsea hospital. Tradition has it that Gywn persuaded the king to set up the hospital, a reflection of her famed compassion for the common people.


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What can designers Hendzel and Hunt do in 24 hours?

The fabulous Hendzel and Hunt strike again showcasing their latest desirable objects at the So Far, The Future Gallery. The duo who are famed for their Made In Peckham approach to design are showcasing their pieces from their first 24 hour design challenge, (which took place earlier this year back in May).�The task in hand [...]

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Shopper's Diary: School of Life in London

Located in Bloomsbury, the School of Life is an intellectual concept store established by Alain de Botton and a group of collaborators where "geek meets chic," in the words of Giles Hattersley of the London Times. On offer: a range of programs that "explore questions of fulfillment and how to lead a better life," a shop space offering books, cards, quirky and inspiring objects, plus packages for weekend adventures (including Reading Retreats with Living Architecture)." Go to The School of Life for more information.

Above: The School of Life is located on Marchmont Street in the history-rich Bloomsbury area of London.

Above: The shop's graphics and interiors were designed by Susanna Edwards.

Above: The interior features reclaimed wood floors.

Above: A display shelf at the School of Life's retail shop.

Above L: The School of Life developed the Minibar for the Mind for Morgans Hotel. Above R: A can of All Purpose Inspiration.

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New Stuff

Seletti�s birchwood cutlery, a rugged grill, and more new stuff in New York stores.

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Digital Harinezumi 2

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Wednesday, June 29, 2011

Report From Dwell on Design 2011 (10 photos)

Walking through the expo at the Dwell on Design conference in Los Angeles June 24, I found many ideas for improving modern living spaces I wanted to share with you. Here are some of my favorite finds, from outdoor living innovations and new kitchen and bath design options to a light that floats like...

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Be Colour Inspired by Summer?s Fresh Bouquets 3: Mediterranean Cascading Geraniums

Geraniums are a really nice species of flower that are used to decorate many homes around the UK. Mediterranean cascading geraniums are characteristic of their overflowing bouquets of bright red contrasted and against pretty pinks and stunning whites. There are numerous different species to take your colour inspiration from and a mix-and-match of many of [...]

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Birthday Buttons!

My lovely friend Cata (aka The Smudge), recently bought me a great retro button brooch from Marie Finlay for my birthday. I've been checking out her website this evening and I have to say there is some really cute stuff on there which would make ideal Christmas pressies! My birthday is on remembrance day and I always buy a poppy, but as I'm a bit scatty, I've usually lost it by the end of the day. Now I have found a solution - buy a Marie Finlay Poppy brooch, and �1.00 of proceeds go towards the Poppy appeal fund, and I can put some money in the tin each year too!

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Elliot - A disaster rescue vehicle with integrated first aid station

Asmita Prasad: The world has recently been hit with many natural disasters and the sad part is that we can never be totally prepared for the ones that areheaded for us in the future. Though the governments around the world and their various agencies routinely perform dr

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Fame Slept Here

Andy Warhol moved up here from Murray Hill in 1960 and stayed for fourteen years, creating some of his most enduring pieces in the house.

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Sink Pipes Worth Seeing (7 photos)

P-traps: essentially all plumbing fixtures (sinks, tubs and toilets) require them, either internally or externally to retain a small amount of water that creates a seal, which works to keep sewer gas from coming back into a building. This is all good stuff, but they have the potential to complicate your...

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